Sydney Writers’ Festival 2010: Lucky Breaks and Big Bucks May 21, 2010Posted by pacejmiller in Book Reviews, On Writing.
Tags: 2010, Australian novels, Beautiful Malice, Debra Adelaide, Kirsten Tranter, literary agent, publishing, Rebecca James, success stories, SWF 2010, Sydney Writers Festival, The Legacy
Sydney Writers’ Festival
I attended the Sydney Writers’ Festival for the very first time today. It’s an interesting yet odd experience, watching so many writers and wannabe writers converge in the same location. As expected, it was primarily an event for oldies (considering I went during work hours), and there was barely a person without grey hair (if they had any hair at all).
Things didn’t get off to a great start when I was stuck in traffic at the foot of the Sydney Harbour Bridge, but this was compensated later when a stroke of luck gave me an unlikely parking spot right outside the venue where the event I was attending took place.
Having been inundated with writing assessments all week, I didn’t have a whole lot of time to check out some of the sessions that interested me. I ended up choosing a ticketed event (about half the sessions are free and the rest require purchased tickets; most of the popular events are sold out very early) called “Big Deal”, where acclaimed writer Debra Adelaide (author of the hit The Household Guide to Dying) interviewed Kirsten Tranter and Rebecca James, two new Australian writers who have hit the jackpot with their respective debut novels, The Legacy and Beautiful Malice.
I’m a sucker for inspiring stories of “beating the odds”, and as a writer, there’s no secret fantasy greater than selling your book for enough money to quit your day job (or in my case, render it unnecessary to look for one). Of course, if the book sells well, that’s an added bonus, but the key is always to secure that mega advance or multi-book deal with a publisher that will put in the time and effort to promote your book.
The session went for only an hour, beginning with Debra asking each writer how they managed to sell their books for loads and loads of money, how it has changed their lives, followed by an extract reading of their novel.
Kirsten Tranter’s story is very interesting, though slightly less relevant to most writers out there — because she worked as a literary agent, her mother is a big time literary agent, and her father is a famous poet. These things gave her a natural advantage in the publishing world, but still, she had to write something worthy of selling.
Her debut novel, The Legacy, tells the story of a beautiful Australian girl who disappeared during 9/11 and is a contemporary homage to Henry James’ The Portrait of a Lady. At the time of writing the book, Tranter and her husband were struggling financially thanks to the GFC. However, she was fortunate enough to finish the novel with the assistance of an Emerging Writer’s Grant from the Literature Board of the Australia Council for the Arts.
Being a literary agent herself, it wasn’t hard for Kirsten to find representation (ie her mother). They decided to put The Legacy to auction, something I wasn’t very familiar with. Effectively, books usually only go for auction if there is sufficient confidence that it will sell and sell well. Kirsten’s agent sent the manuscript to seven of Australia’s biggest publishers and gave them a deadline to make an offer. Fortunately, at least one of them did, and it was for a very handsome sum.
Rebecca James’ story is closer to a true publishing fantasy for the ordinary writer. Her novel, Beautiful Malice, rose to prominence in the media after it sparked a bidding war amongst publishers. It’s been promoted as both young-adult and adult fiction, and centres around the friendship of two girls, one of whom is still getting over the murder of her “perfect” little sister.
Beautiful Malice is actually not Rebecca’s first published work. Apparently, after she finished her first novel, she was so excited about it all she sold it to an E-publisher for $100. Yep, a hundred bucks.
Rebecca has four children (which makes one wonder how the heck she ever found the time to write!) and earned her income through a small kitchen business with her husband. However, the business struggled and they had to close it down. The very next day, she got her first six-figure book deal, and it changed her life forever.
Rebecca said she wrote around 80 query letters to agents in Australia, the US and the UK. It’s a lot easier these days, because agents are now more willing to receive queries and manuscripts via email rather than hard copy. She eventually scored an agent from the UK, also a relative newbie to the publishing world. And together, they turned Beautiful Malice into a worldwide phenomenon even before it was published by selling it to 37 different countries around the world. Insane, I know.
Throughout the session, there was no exact sum mentioned when it came to just how much these lucky ladies earned for selling their book rights, but from what I could gather Kirsten must have gotten at least several hundred thousand dollars and Rebecca at very least a million.
In all, it was an inspiring hour. Both Kirsten and Rebecca were very down to earth and humble. Kirsten, of course, had that natural writer’s aura around her. You can just tell her life revolves around reading and writing fine literature. Rebecca, on the other hand, had more of an everyday person vibe. She’s the type that never thought she would be earn seven-figures for writing a book but kept writing because she knows how to tell a good story. Nevertheless, both are very deserving of their success and financial rewards. They also sent me rushing home to work on my own writing.
[PS: I was supposed to go to another free session later in the day about the future of e-readers and e-books, but the outrageously expensive street parking in Sydney made me give up on the idea. Maybe next year.
PPS: Stories like theirs prove that the book publishing world isn’t dead, at least not yet anyway.]
Debra Adelaide’s website